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Guiding and supporting the theatre makers of the future


“A positive attitude is as important as your ability.” 

 

Costume Maker

Role

Costume Makers are responsible for translating the Costume Designer’s ideas and drawings into real clothes, in consultation with both the designer and Costume Supervisor. They create patterns for the costumes, cutting and sewing them to actually construct the garments.

 

Key Skills

  • Advanced knowledge in construction methods.
  • Excellent finishing skills.
  • Attention to detail.
  • Good time-management skills, including the ability to turn work around quickly.
  • Ability to work both independently and as part of a team.

Courses

  • BA (Hons) Theatre Practice - Costume Construction – Central School of Speech and Drama Click Here
  • Theatre Costume - Royal Academy of Dramatic Art Click Here
  • BA (Hons) Costume Production – Rose Bruford College Click Here
  • BA (Hons) Costume for Performance – London College of Fashion Click Here
  • BA (Hons) Theatre and Screen – Costume Interpretation – Wimbledon College of Art Click Here
  • BA (Hons) Costume with Performance Design – Arts University Bournemouth Click Here

Other courses are available. Those above represent a sample from various drama schools and universities.

Responsibilities

  • Liaising with the Costume Designer and Costume Supervisor to realise the design.
  • Sourcing fabric samples and other materials in consultation with the Costume Supervisor.
  • Drafting patterns, cutting and sewing.

Training

Vocational training in Costume is on offer in many drama schools and some traineeships are available with larger theatre companies.

Some people begin by working voluntarily in Wardrobe Departments in local theatres, progressing through the ranks of Costume Assistant.

Skills are developed on-the-job while gaining useful industry contacts, which are vital for securing future work.

Additional specialist training is necessary to increase a Costume Maker’s skills-base and employability - for example, in tailoring, millinery and shoe making. 

Further Reading

  • Stage Costume – Step-by-Step by Mary T Kidd, 2002
  • Costume and Make-Up by Michael Holt, 1988